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JACKY TSAI
| ‘Fly Me to the Moon’
by Henrik Riis
GRAYSON PERRY
| ‘Love Plane’
by Henrik Riis
STANLEY DONWOOD
| ‘Avert’, ’Borealis’, ‘Realistic’ and ‘Teeth’
by Henrik Riis
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MARC WILSON
| 'The Last Stand' Book Launch
December 2nd 2014
Eyestorm artist
Marc Wilson
spent four years photographing the physical remnants of 20th century war in the UK and Northern Europe, resulting in his award-winning series ‘The Last Stand’.
Travelling to 143 coastline locations in the UK, The Channel Islands, Northern & Western France, Denmark, Belgium and Norway to capture this permanent photographic record of the past, Wilson has now collated his stunning images into a book, which will launch on 9th December at Anise Gallery in London SE1, alongside an exhibition of the works.
See limited edition photographs of the series online
here
.
ANGIE DAVEY
Creative Director
MARC WILSON
 
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JACKY TSAI
| ‘Stained Glass Skull’ and ‘Cloisonné Skull’
Reflecting on a life experience spanning two uniquely different cultures, Jacky Tsai brings opposing concepts head to head. In his works, the artist fuses traditional Eastern motifs with Western Pop-Art imagery, often exploring old craftmanship before infusing them with his own contemporary and humourous twists. Zebras, cooling fans and space rockets float in landscapes alongside cranes and beds of flowering peonies; and in the two print editions, Stained Glass Skull and Cloisonné Skull, Tsai expands on two crafts of the past, presenting new versions of his famous floral skull.
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JACKY TSAI
| ‘Fly Me to the Moon’
A keen spirit of excitement, adventure and a bright future, Jacky Tsai sets a stage of courteous matchmaking between graceful apsaras and decisive superheroes. For twenty years Tsai has time and time again presented works that are powerful and rich in symbolism; a vision that in Fly Me to the Moon goes beyond characters seeking to escape a white lotus tree, enticed by the luminous void in precious gold, refined palladium and enchanting rose-gold. Created as three screenprinted editions, the series exemplifies Tsai’s visual exchange between two cultures.
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