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SOPHIE CALLE
| ‘Red Shoe’ and ‘Coffee Cup’
by Henrik Riis
LUCIE BENNETT
| ‘Pink Knickers’ and ‘Rose-Coloured Shoes’
by Henrik Riis
JACKY TSAI
| ‘Fly Me to the Moon’
by Henrik Riis
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MARC WILSON
| 'The Last Stand' Book Launch
December 2nd 2014
Eyestorm artist
Marc Wilson
spent four years photographing the physical remnants of 20th century war in the UK and Northern Europe, resulting in his award-winning series ‘The Last Stand’.
Travelling to 143 coastline locations in the UK, The Channel Islands, Northern & Western France, Denmark, Belgium and Norway to capture this permanent photographic record of the past, Wilson has now collated his stunning images into a book, which will launch on 9th December at Anise Gallery in London SE1, alongside an exhibition of the works.
See limited edition photographs of the series online
here
.
ANGIE DAVEY
Creative Director
MARC WILSON
 
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JACKY TSAI
| ‘Fly Me to the Moon’
A keen spirit of excitement, adventure and a bright future, Jacky Tsai sets a stage of courteous matchmaking between graceful apsaras and decisive superheroes. For twenty years Tsai has time and time again presented works that are powerful and rich in symbolism; a vision that in Fly Me to the Moon goes beyond characters seeking to escape a white lotus tree, enticed by the luminous void in precious gold, refined palladium and enchanting rose-gold. Created as three screenprinted editions, the series exemplifies Tsai’s visual exchange between two cultures.
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SOPHIE CALLE
| ‘Red Shoe’ and ‘Coffee Cup’
To Sophie Calle, there is always a story to be told. It is these stories that, as they unfold, have positioned Calle as one of the most idiosyncratic and influential artists to have emerged in Europe over the past five decades. Her enigmatic narratives have proved compelling to both general and academic audiences alike, whether she showcases the evolvement of dating ads placed in a hunting magazine over a period of 125 years; or simply decides to hang out her personal - and others - emotional dirty laundry. The print editions, ‘Coffee Cup’ and Red Shoe from 2000, represent two of Calle’s photo-text journeys. The latter, exposing details of one last heist with her friend Amelie.
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